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In the Romantic period, Edmund Burke postulated a difference between beauty in its classical meaning and the chic. The concept of the sublime, as explicated by Burke and Kant, suggested viewing Gothic artwork and structure, although not in accordance with the classical normal of beauty, as sublime. In the Gothic Architecture of the High and Late Middle Ages, light was considered the most beautiful revelation of God, which was heralded in design. Examples are the stained glass of Gothic Cathedrals including Notre-Dame de Paris and Chartes Cathedral. Aristotle defines beauty in Metaphysics as having order, symmetry and definiteness which the mathematical sciences exhibit to a particular degree.

This perspective of Gothic art lasted till Romanticism, within the 19th century. Vasari aligned himself to the classical notion and considered beauty as defined as arising from proportion and order. These two positions are sometimes called objectivism or realism and subjectivism. Objectivism is …